Both are incredibly strong, but Logic Pro shines at mixing and generating organic-sounding music when it comes to the included stock plugins and samples. Logic Pro and Ableton Live offers excellent stock plugins (synths, effects, MIDI stock plugins, etc.).In contrast, Ableton Live supports VST2 and VST3 formats in all versions and the AU format on Mac. Logic Pro only supports the AU plugin format when it comes to external plugins.In my opinion, Ableton Live offers a strong grid-based live performance view (called the session view), which is still superior to Logic Pro’s new loop view.Logic Pro is only available for Mac, whereas Ableton Live is available for both Mac and Windows.The Main Differences Between Ableton vs Logic Pro are: Let’s find out which one is the best fit for you? Continue reading to learn more! Main Differences Between Logic Pro vs Ableton It will take some explaining to figure out which is which. The distinctions between the two are becoming increasingly hazy. While many who have worked with Logic Pro would tell you that it is by far the greatest DAW, Ableton Live fans will disagree! While these DAWs used to be extremely distinct, they have become considerably more comparable in recent years, thanks to Logic Pro’s inclusion of a live looping view and a sampler and drum machine that are very similar. As of May of this year, they share considerably more than just their version numbers. They are some of the most popular software around, used by many professionals. The changes make it quicker and easier to find what you’re looking for.Logic Pro vs Ableton are some of the best DAW’s in music production. The search function is much improved and built-in instruments can also be previewed immediately directly from the browser. The Browser from Live 8 has been tweaked slightly, combining the six sections into one pane, which is then split into two columns with a Categories Section and Places Section on the left and the list of results on the right. Devices, instruments and sounds are listed alphabetically by default, but an additional column can be added to sort by size, type, date modified, rank or place. It’s a slightly unusual addition, but one which may be useful when using the software in a dark club, or just to reduce eye fatigue during long studio sessions. Die-hard fans of the Live 8 palette can revert to the old scheme in the look and feel preferences, where new brightness, colour intensity and colour hue controls have also been introduced. The most immediately striking update to Live is that the overall appearance has changed significantly for the first time since Live 6, with a new cool grey colour scheme. 64-bit operation and automation feature on the list of updates, but improved PDC and multiple displays are conspicuous by their absence. The new feature list for Live 9 received a mixed response from users. Over 4,000 new topics have been started on Ableton’s official feature wishlist forum since the release of Live 8, but highest on the agenda for most users were 64-bit processing, improved automation, better plugin delay compensation (PDC) and support for multiple screens. Ableton’s ethos seems to be to do things well rather than to do them first. Don’t forget that MIDI sequencing wasn’t introduced until version 4 early versions were loop-based to the point of excluding other approaches to making music. Users have become accustomed to relatively frequent updates which gradually implement new features, but Live has always lagged behind its rivals in certain areas. Since its introduction in 2001, Live has followed a slow, steady, incremental upgrade path without ever radically redesigning or overhauling the fundamental features of the software. Ableton’s approach to sample-based sequencing was truly revolutionary, but Live has traditionally been slow to catch up with other DAWs in a number of areas. In the case of Live, this level of expectation might be misplaced. At least until we get a release date for Logic Pro X… Fuelled by internet speculation (of which we freely admit we’re as guilty as anyone) and the relentless rumour-mill of the pro audio community, hype for Live 9 has reached unprecedented levels. Live 9’s startup screen demonstrates the new visual appearance and updated BrowserĪs time goes by, the level of anticipation with each major DAW update only seems to increase.
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